crosby stills nash and young judy blue eyes

That was, aside from the drums, behind which sat former Clear Light member Dallas Taylor Dave Crosby's rhythm guitar and the acoustic guitar and percussion played by Graham Nash. Album sessions commenced at Wally Heider's Studio 3 in Los Angeles the following month, with the three group members sharing the production chores while Bill Halverson engineered and Stills played virtually all of the instruments. In the meantime, Crosby and Stills had joined Nash in London to write some fresh material, and after rehearsal sessions at the Long Island home of the Lovin' Spoonful's John Sebastian in January 1969, they were ready to roll. Encouraged by Doors producer Paul Rothchild, they had then recorded a five‑song demo in New York that, despite being rejected by the Beatles' Apple label, had earned the brand new group a contract with Atlantic. The trio had first harmonised together on Stephen Stills' 'You Don't Have to Cry' during a party at the home of either Mama Cass Elliot (according to an adamant Stills) or Joni Mitchell (according to both Crosby and Nash) the previous June. Recorded during February and March of 1969, this highly influential 10‑track opus earned CS&N a Grammy for Best New Artist, courtesy of songs such as 'Suite: Judy Blue Eyes', 'Marrakesh Express', 'Guinnevere', 'Wooden Ships' and 'Long Time Gone'. Right from the start, it was all there (even before the addition of Stills' Buffalo Springfield co‑founder Neil Young), as evidenced on the eponymous debut album that immediately endowed the group with superstar status.

In essence, CS&N brought singer‑songwriters firmly into vogue and paved the way for acts like the Eagles by helping to define the new, freewheeling 'California Sound' of the early '70s.

Add to this the melodic pop skills that Graham Nash had refined with the Hollies and the result was a timely, all‑encompassing fusion of great commercial, critical and artistic appeal. While the prominent folk‑rock sensibilities of ex‑Byrd David Crosby were supplemented by his compositional talent for atmospheric tunes and socio‑political lyrics, country‑oriented former Buffalo Springfield frontman Stephen Stills was a remarkable multi‑instrumentalist with the ability to make seemingly disparate musical elements coalesce. It was 1968, and at a time when loud blues‑based rock was all the rage, along came Crosby, Stills & Nash to help redraw the musical landscape with their characteristically seamless blend of folk, country, jazz, blues and rock, featuring high, sublimely intricate three‑part harmonies. Photo: Henry DiltzĪs the '60s drew to a close, David Crosby, Stephen Stills and Graham Nash came together to form a new group, the unique sound of which was perfectly demonstrated by their first recording, 'Suite: Judy Blue Eyes'. From left to right: Stephen Stills, Graham Nash and David Crosby at Wally Heider Studio 3, February 1969.

Crosby stills nash and young judy blue eyes